In early November, I attended the Symposium on Contemporary
Craft held at the Smithsonian Museum of American Art in Washington D.C. A bunch
of us from the Ceramics department went on the trip and it was a special
opportunity for us. We went to several galleries and saw some amazing shows,
including “40 under 40”. This was our first stop and a great place to end a
long day of travel. The show focused on young artists using craft as a medium.
Works featured used techniques such as embroidery, knitting, quilting, clay, metalwork,
etc. This show was a milestone marking how far craft has come to now being
accepted in the fine arts world.
The Symposium we attended featured 2 days of talks given by
artists, historians, and craftspeople. We were able to get a variety of different
perspectives on the topic of craft and where it stands today. Glenn Adamson was
the keynote speaker. He wrote such books as “Thinking Through Craft” and “The
Invention of Craft”. It was interesting;
his talk was titled “Goodbye to Craft”. He’s been writing about craft and art
for years now and he is finally taking a step back. In past years he felt he
had to write about craft and the fight to get acceptance for it, but now, as he
said, it’s “real in”. So many artists are employing the use of traditional
craft materials and techniques, the proof is in the “40 Under 40” show. So,
basically, he was saying we don’t have to fight any more, the battle has been
won. This idea was challenged by some of the other speakers, but the basic
theme held throughout. I found this to be extremely relevant to my Thesis work as I am combining embroidery, crochet, and sewing with the medium of clay, all formerly considered domestic crafts performed by women. Now, the world has opened up to these techniques, and they find new life in the work of artists who appropriate them and decontextualize them in amazing ways!



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